The Jupiter String Quartet is a particularly intimate group, consisting of violinists Nelson Lee and Meg Freivogel, violist Liz Freivogel (Meg’s older sister), and cellist Daniel McDonough (Meg’s husband, Liz’s brother-in-law). Now enjoying their 17th year together, this tight-knit ensemble is firmly established as an important voice in the world of chamber music. The New Yorker claims, “The Jupiter String Quartet, an ensemble of eloquent intensity, has matured into one of the mainstays of the American chamber-music scene.”
The quartet has performed across the United States, Canada, Europe, Asia, and the Americas in some of the world’s finest halls, including New York City’s Carnegie Hall and Lincoln Center, London’s Wigmore Hall, Boston’s Jordan Hall, Mexico City’s Palacio de Bellas Artes, Washington, D.C.’s Kennedy Center and Library of Congress, Austria’s Esterhazy Palace, and Seoul’s Sejong Chamber Hall. Their major music festival appearances include the Aspen Music Festival and School, Bowdoin Music Festival, Cape Cod Chamber Music Festival, Rockport Music Festival, the Banff Centre, Virginia Arts Festival, Music at Menlo, Maverick Concerts, Caramoor International Music Festival, Lanaudiere Festival, West Cork (Ireland) Chamber Music Festival, Skaneateles Festival, Madeline Island Music Festival, Yellow Barn Festival, Encore Chamber Music Festival, the inaugural Chamber Music Athens, and the Seoul Spring Festival, among others.
Additional highlights for the 2019-2020 season include appearances at Bay Chamber Concerts, Chamber Music in Napa Valley, Collins Center for the Arts, Washington University Guest Artists Series, Signature Series at the Quad City Symphony Orchestra, Black Hills Chamber Music Society, and collaborations with pianist Jon Nakamatsu, pianist Michael Brown, baritone Tyler Duncan, and the Jasper String Quartet.
Their chamber music honors and awards include the grand prizes in the Banff International String Quartet Competition and the Fischoff National Chamber Music Competition in 2004. In 2005, they won the Young Concert Artists International auditions in New York City, which quickly led to a busy touring schedule. They received the Cleveland Quartet Award from Chamber Music America in 2007, followed by an Avery Fisher Career Grant in 2008. From 2007-2010, they were in residence at the Chamber Music Society of Lincoln Center’s Chamber Music Two and, in 2009, they received a grant from the Fromm Foundation to commission a new quartet from Dan Visconti for a CMSLC performance at Alice Tully Hall. In 2012, the Jupiter Quartet members were appointed as artists-in-residence and faculty at the University of Illinois, where they continue to perform regularly in the beautiful Krannert Center for the Performing Arts, maintain private studios, and direct the chamber music program.
Their chamber music honors and awards include the grand prizes in the Banff International String Quartet Competition and the Fischoff National Chamber Music Competition; the Young Concert Artists International auditions in New York City; the Cleveland Quartet Award from Chamber Music America; an Avery Fisher Career Grant; and a grant from the Fromm Foundation. From 2007-2010, they were in residence at the Chamber Music Society of Lincoln Center’s Chamber Music Two.
The Jupiter String Quartet feels a particular connection to the core string quartet repertoire; they have presented the complete Bartok and Beethoven string quartets on numerous occasions. Also strongly committed to new music, they have commissioned works by Syd Hodkinson, Hannah Lash, Dan Visconti, Mark Adamo, Pierre Jalbert, and Kati Agócs.
The quartet’s latest album Alchemy (Marquis Classics, 2019) with Australian pianist Bernadette Harvey features world premiere recordings by Pierre Jalbert, Steven Stucky, and Carl Vine. EarRelevant proclaims, “Performed with great sensitivity and attention to detail, this album marks an important addition to the recorded repertory of new chamber music.” The quartet’s discography also includes numerous recordings on labels including Azica Records, Marquis Classics, and Deutsche Grammophon.
The Jupiters place a strong emphasis on developing relationships with future classical music audiences through educational performances in schools and other community centers. They believe that, because of the intensity of its interplay and communication, chamber music is one of the most effective ways of spreading an enthusiasm for “classical” music to new audiences. The quartet has also held numerous masterclasses for young musicians at Northwestern University, Eastman School of Music, the Aspen Music Festival, Encore Chamber Festival, Madeline Island Music Festival, and Peabody Conservatory.
The quartet chose its name because Jupiter was the most prominent planet in the night sky at the time of its formation and the astrological symbol for Jupiter resembles the number four. They are also proud to list among their accomplishments in recent years the addition of seven quartet children: Pablo, Lillian, Clara, Dominic, Felix, Oliver, and Joelle. You may spot some of these miniature Jupiters in the audience or tagging along to rehearsals, along with their grandparent babysitters.
“The Jupiter String Quartet, an ensemble of eloquent intensity, has matured into one of the mainstays of the American chamber-music scene.”
– The New Yorker
“an alert and energetic ensemble, with plenty of communication and an individual sonic sheen that was at once light and, when called for, warm and burnished”
– Cleveland Plain Dealer
“technical finesse and rare expressive maturity”
– The New Yorker
“Every so often a performance leaves us in awe of its loving sophistication, its attention to the finest details of balance and expression.”
– Dallas Morning News
“These four collaborators ... achieved both breadth and depth, brilliantly steering the linearity of Bartók's intricate counterpoint, while simultaneously ensuring that the work's rich harmonic syntax was at all times palpable.”
– The Austin Chronicle
“powerful playing of highly dramatic music”
“the Jupiter String Quartet brought a program of near-celestial splendor”
– Boston Musical Intelligencer
“The Jupiter didn't stint on the extremes. The musicians dug into their strings, sending fugue subjects leaping like flames or reaching for the planet after which they take their name.”
– The Cleveland Plain Dealer
“The playing throughout was assured and insightful, befitting an ensemble that has truly come of age...”
– Cape Cod Times
“Jupiter, always talented, has reached that stage where musical expression, not technical proficiency, has become the focus ... an intensely alert investigation of the musical possibilities in each work.”
– Boston Classical Review